BIM建筑|地方工作室新作：原型的力量，长沙后湖艺术园麦垛空间-BIM免费教程

BIM建筑|地方工作室新作：原型的力量，长沙后湖艺术园麦垛空间

发布于：2025-05-12 20:08:27

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地方工作室这些年从类型与原型研究到地域类型研究，一直在持续关注和探索地方建筑的当代性表达，诸如2018年的田汉文化园、2022年的江华瑶族水口镇如意村文化服务中心及特色工坊，而后湖艺术园麦垛空间，则是近两年工作室在此基础之上相同类型的又一思考与实践。

设计单位 地方工作室+湖南大学设计研究院有限公司

项目地点 湖南长沙

竣工时间 2023年

建筑面积 748平方米

本文文字由地方工作室提供。

麦垛空间位于湖南长沙后湖艺术园，园区原为长沙市自发生长起来的特殊“城中村”，坐落于岳麓山脚下，同时处在大学城中心位置。后湖艺术园从上世纪50年代开始，历经渔场、艺术培训、艺术展示等，现已成为长沙独特的文化艺术地标。其中，麦垛空间是一处集展览、艺术沙龙、音乐表演、文创交流等于一体的小型社区文化综合体。

Straw Stack Space is located in Houhu Art Park in Changsha, Hunan Province, which is a special ‘village in the middle of the city’ in Changsha that grew up spontaneously, located at the foot of Yuelu Mountain, and in the centre of the university town. Since the 1950s, the Houhu Art Park has become a unique cultural landmark in Changsha through its history of fisheries, art training and art exhibitions. And, Straw Stack Space is a small community cultural complex in Houhu Lake, integrates exhibitions, art salons, music performances and cultural and creative exchanges.

▲ 实景视频 ©地方工作室

剪辑：蒋友燏、侯祎聪、文意

麦垛空间以纯粹的欧式几何——方与圆作为基本图式语言，通过抽象和隐喻乡村景观中的“麦（稻）草堆”、圆形谷仓、晒谷场等记忆场景，试图唤醒后湖昔日作为田野乡间的诗意氛围。建筑占用两处民居用地，我们将一处房屋采用6个“圆筒”并置组合，另一处房屋则采取1个纯粹“方体”中植入1个“圆筒”，阵列圆筒与标准方体形成一种同构、翻转的图底关系。

Using pure ‘Euclidean geometry’ ---square and circle as the basic graphic language, Straw Stack Space tries to revive the poetic atmosphere of Houhu's past as a field and countryside through the abstraction and metaphor of ‘wheat (rice) haystacks’, round barns, sunbathing yards and other memorable scenes in the rural landscape. The building occupies two residential sites, and we combined one house with six ‘cylinders’ in juxtaposition, while the other house has one ‘cylinder’ implanted in a pure ‘square’. The cylinder array and the standard square form an isomorphic and inverted base relationship.

发生在麦垛空间中带有“自主性”或“意外感”的公共文化艺术活动，诸如当代艺术画展、大学毕业设计展、小型音乐趴、现代舞蹈、草坪音乐节等，共同指向了“空间”所具有的“功能转换”能力。此时的它已然脱离了设计最初的预判，产生了他者的解读和诠释，却也是对我们一种意外的褒奖。

The public cultural and artistic activities that take place in the Straw Stack Space with a sense of ‘autonomy’ or ‘accident’, such as contemporary art exhibitions, university graduation design exhibitions, small-scale music parties, modern dances, lawn music festivals, etc. At this point, the ‘space’ has the ability of ‘functional transformation’, it has already departed from the original design preconception, and has generated other interpretations, but it is also an unexpected praise to us.

麦垛空间的开窗主要以空间体验为导向，尤其强化了顶光的使用：当光从建筑圆筒空间上部抛撒下来，透过圆筒的竖直指向性，将人的视觉焦点引向天空，建立一种空间、身体与天地相互交融的关系。配合阵列圆筒的几何秩序，试图让身体深度感知某种仪式、安静、诗意的空间氛围。

The windows of the Straw Stack Space are mainly orientated to spatial experience, especially strengthening the use of natural top light: when the light is thrown down from the upper part of the building's cylindrical space, through the vertical directivity of the cylinders, it draws one's visual focus to the sky, establishing a relationship between the space, the body and the sky and the earth. Together with the geometrical order of the arrayed cylinders, it tries to let the body deeply perceive a certain ritual, quiet and poetic spatial atmosphere.

总体而言，麦垛空间立足于后湖艺术园的现实场地体验，强调公共性及艺术性，尝试悬置周边模式化、常态化、惯性式的市场思维与设计负担，避免流行、“快餐式”的符号化表达，实验性地让建筑回到某种纯粹、抽象、直觉的相对“稳固”状态——建筑仅作为一个庇护场所的“原初”意义。

Overall, Straw Stack Space is based on the real-life experience of the Houhu Art Park, emphasising on publicity and artistry, attempting to suspend the surrounding patterned, normalised and inertial market thinking and design burdens, avoiding popular, ‘fast-food’ symbolic expressions, and experimenting with the return of architecture to a certain kind of pure, abstract, intuitive and relative ‘solidity’. Experimentally, the building returns to a pure, abstract, intuitive and relatively ‘solid’ state - the ‘original’ meaning of the building as a place of refuge.

项目完成后，无论是原住村民、周边市民、大学师生、外来游客，当大家在麦垛空间休闲时，他们会从中感受到一种特殊的“空间”信息，这一信息试图唤起某个熟悉的场所记忆或陌生的遐想，这是属于后湖艺术园抑或是有关麦垛空间独特的“地方感”，也是我们寻找的原型的力量。

After the completion of the project, whether it is the indigenous villagers, neighbouring citizens, teachers and students of the university, or foreign tourists, when they are relaxing in the Straw Stack Space, they will feel a special kind of ‘spatial’ information, which tries to evoke the memory of a familiar place or unfamiliar reverie, which belongs to the unique ‘sense of place’ of the Houhu Lake Art Park or the Straw Stack Space, and it is also the power of the archetype that we are looking for.