BIM建筑|三亚西岛自建房改造：与海相连 / ReAD叠重设计-BIM免费教程

首页/技术分享

BIM建筑|三亚西岛自建房改造：与海相连 / ReAD叠重设计

发布于：2024-12-25 10:36:23

50人分享

设计单位 上海叠重建筑设计有限公司

项目地点 海南三亚

建成时间 2024年7月

建筑面积 1200平方米

本文文字由设计单位提供。

场地和回应

Background and response

项目坐落在三亚一个名叫西岛的小海岛上，这是一个渔村自建房商业化改造，拥有着丰富的海景资源，紧贴海岸线。不像三亚其他海滨所呈现出的浓重商业氛围，目前的西岛还未脱离渔村的质朴。在这里，人们好像更容易沉浸在大海所带来的放空中。

The project is located on a small island called West Island in Sanya. It is a commercial renovation of a self-built residence in a fishing village, with a nearly perfect sea view close to the coastline. Unlike other seashores in Sanya with a strong commercial atmosphere, the current West Island has not yet broken away from the simplicity of the original fishing village. Here, it seems easier to immerse yourself in the sense of natural relaxation brought by the sea.

利用好海景资源是这个项目中最基本的商业化考量要素，但仅仅做到如此显然并不能满足我们的野心，我们希望能强化大海所带来的情绪价值，希望和海互动起来。

Making good use of sea view resources is the basic commercial concern in this project, but doing so alone is obviously not enough for us to respond the site. We hope to strengthen the emotional value of this place by interacting with the sea.

和大海连起来一起放空

Connect with the sea

本项目是在自然渔村里的宅基改造，距海非常近，只有一个4米的单行车道相隔。在三亚新建房子须距海退界300米的规定下，本项目的场地显得尤为珍贵。距海如此之近，我们就设想是否有可能让我们的小房子与海连起来，至少在情绪上连起来。

Because the project is a renovation of a small house in a natural fishing village, it is very close to the sea, 4 meters only divided by a road. Compared with the regulations in Sanya that new houses must be 300 meters away from the sea, this makes the site of this project particularly precious. Being so close to the sea, we wondered if it is possible to connect our house directly to the sea, at least mentally connected.

所以我们尽量把海景的优势放大：面向海的立面尽量只有玻璃，把一切可能干扰的装饰因素统统去掉；室内座位的布置都平行于大海，以便让在座的客人尽可能地享受海景；天花系统强调垂直大海的线条，方便梳理天花管线的同时，也加强空间冲向海面的指向性。

In order to maximize the sea view, the facade facing the sea is made of glass as much as possible, removing all the unnecessary decorative factors that may interfere. At the same time, the indoor seats are arranged parallel to the sea, so that the customers can enjoy the sea view as much as possible. The ceiling system emphasizes the lines perpendicular to the sea, which is convenient for sorting out the ceiling pipelines while also strengthening the directionality of the space rushing towards the sea.

深挑檐的田字格

Deep eaves and new material

在项目开始初期的时候，一种田字格的翡翠绿玻璃钢格栅刚好出现在我们的材料库中。开始的时候我们不知道能拿它做什么，只是感觉这个材料与场地有种莫名的契合。事后回想大约是它与三亚的环境太搭了：绿油油的椰树、湛蓝的天空、透明的海，这些特质与我们选的这个田字格格栅太像了。再加上这种材质本身带一点粗糙的加工肌理和超强耐候性能，能毫无违和地融入海岛渔村斑驳的自然生活状态。

At the beginning of the project, a grid-shaped emerald green fiberglass grille just randomly appeared in our material library. At first, we didn't know what to do with it, but we knew that this material had an inexplicable fit with the site. This new material matches perfectly with the green coconut trees, the blue sky and the transparent sea in Sanya. In addition, this material itself has a slightly rough texture and super weather resistance, which can be integrated into the mottled natural life of the island in the fishing village.

由于三亚的气候特点，无论哪个方向都需要尽可能多的遮阳设施。同时，大面积的玻璃会导致热工性能下降，因此我们在面向大海、拥有大面积玻璃的地方设置了超深挑檐结构。

Because of Sanya’s climate, as much shade area as possible is needed in any direction. At the same time, because large areas of glass will cause a decrease in thermal performance, we set up ultra-deep eaves in places above large area of glass, which is the same direction facing the sea.

挑檐从室内开始，穿过玻璃外墙一直伸出室外，伸向大海。一方面，遮阳体系一定程度上优化了热工性能，另一方面，伸向大海的挑檐也加强了朝向大海的指向性。这里我们把翡翠绿田字格格栅应用在挑檐上，这种强化玻璃纤维合成的材料能抗得住海风的侵蚀，同时在三亚那种绚丽的阳光下折射出光彩，随着天气的变化呈现出阴天温润，晴天绚丽的不同气质。

The horizontal eaves optimizes the thermal performance to a certain extent. In addition, the extended eaves also strengthen the directionality towards the sea. Here we apply emerald green grids on the eaves. This reinforced glass fiber synthetic material can resist the erosion of sea breeze. At the same time, it presents different qualities under different weather conditions. For example, it gorgeously shines on sunny days and performs humbly on cloudy days.

不论是在任何天气条件下，翡翠绿的挑檐与三亚碧绿的大海在窗前某种程度上融为一体，给人一种仿佛随时可以步入大海的感觉。

No matter what the weather conditions are, to some extent, the emerald green eaves and the turquoise sea of Sanya blend together as a whole. It is like you can walk into the sea at any time in front of the window.

一路打卡而上的向往之地

Along the way up to Choice C

本项目是一个三层小楼的改造，功能上包括两家店铺：一、二层为海鲜火锅店，三层及屋顶露台则用作餐酒吧空间。两家店铺独立经营，不能相互影响。因此，改造的首要任务是规划两条独立的流线，确保它们互不冲突。这就要求我们考虑增设一个垂直交通设施，绕过一、二层，直接通往第三层。

This project is a renovation of a three-story building, which contains two stores: the first and second floors are seafood hot pot restaurants, and the third floor and roof terrace are used as dining and bar spaces. These two stores are operated independently. Therefore, the first step of the renovation is to consider how to organise the two flows so that they are independent without any conflict. This inevitably requires adding a new vertical circulation bypassing the first and second levels and directly leading to the third floor.

我们一直认为，对于这个房子内的餐厅和酒吧来说，营业区域需要营造一个舒适宁静的环境，让人们能够享受大海而放空。至于如何进入这些空间，交通流线需要具有吸引力。为此，我们放弃了原本室内的贯通楼梯间，转而在建筑的另一侧增设了一个外挂楼梯，连接二层露台和三层酒吧。此外，在二层露台处，我们还新增了一段直通大海的直跑楼梯，使其与马路相连。

We have always believed that for the restaurant and bar in this house, the commercial area needs to be simple and calm, so that people can enjoy the sea and fully relaxed. The circulation space for entry needs to be overdrawn, so we abandoned the original stairwell that runs up and down in the room. Instead, we added an external staircase on the other side of the building, connecting the second-floor terrace and the third-floor bar; and then added a straight staircase running towards the sea on the second-floor terrace, connecting to the ground.

这样，我们就有了两个不同感觉的竖向交通空间：一个垂直于大海，作为进入酒吧的必经之路，其2米宽的净空间和墙上的涂鸦为过往行人提供了一个公共的立体打卡点；另一个是外挂钢架楼梯，被半透明磨砂U型玻璃所包裹，与周围环境形成了一种朦胧的隔离效果，同时也为即将进入酒吧的客人提供了一个心理准备的过程。

In this way, we have two vertical circulation spaces with different feelings: one is perpendicular to the sea, with a net width of 2 meters, which is not only the main flow route before entering the bar, but also provides a public three-dimensional area for tourists to take photos; the other external steel frame staircase, wrapped in semi-transparent frosted U-shaped glass, forms a blurred alienation effect with the environment, and also provides a psychological preparation process for guests before entering the bar.

除此之外，酒吧的屋顶也是我们改动最多的地方。由于原本三层空间的净高偏低，所以我们拆掉了原有的屋顶，并往上抬高了一米。同时，我们意识到如果屋顶露台的大面积营业区域只有一个高度，对于海景的利用可能会显得有些浪费。因此，我们在屋顶设置了三个不同的高度，确保后排空间也能享受到无遮挡的海景。

In addition, the roof of the bar is also the place where we made the most changes. Since the net height of the original third floor space was low, we removed the original roof and raised it up by one meter. At the same time, we realized that if this large area of the roof terrace was only one height, it would be a waste of the sea view resources, so we set three heights on the roof to allow the back row of space also having unobstructed sea view.

由U形玻璃包裹的钢架楼梯直通到屋顶，与屋顶吧台形成一个有机整体。傍晚时分，这个半透玻璃有机体接收到背后的夕阳晕染，为整个场地增加了浪漫的氛围，也为傍晚即将开门的酒吧空间做好了光影效果的烘托。

The steel frame staircase wrapped in U-shaped glass leads directly to the roof and forms a whole scene with the rooftop bar. In the evening, this semi-transparent glass volume receives the sunset behind it, adding a romantic atmosphere to the entire venue, and also setting off the light effects for the bar space that about to open in the evening.

项目的两种属性和最后呈现的气质

The two attributes of the project and the temperament it finally presented

三亚的西岛是海南最大的原住民旅游海岛，与其他的地方比起来，它不仅是个拥有高质量海景资源的旅游岛屿，也是一个完整保留着当地渔民生活状态的岛屿。这种融合了精致旅游需求与慵懒渔民生活的独特气质，正是我们希望捕捉并在本项目中展现的。因此，我们不追求设计上的绝对纯净，而是允许海风留下洗刷的痕迹，同样也允许船板、涂鸦以及灯塔等渔村元素出现在建筑立面上。

West Island in Sanya is the largest aboriginal tourist island in Hainan province. It not only has the same beautiful sea view resources like other places in Sanya, but also has a large number of local fishermen living here. A prominent feature mixed with exquisite tourism needs and cozy fishermen's lives is exactly a unique quality that we hope to capture and present in this project. Therefore, we do not pursue pure cleanliness in design, but allow the sea breeze to leave traces of nature, and also allow traces of fishing villages such as art works of shipboard, graffiti and lighthouse sculpture to appear along with the building.

在动工初期，作为设计师的我们理所当然地希望项目能以精致面貌呈现，因为它的受众是大城市来的游客。然而，在建设过程中，我们发现对项目的精准控制几乎是不可能的，即便有驻场设计师全程跟进。这个项目是农村自建房改造，工人都是当地的师傅。与其他乡建项目一样，那些在城市里容易实现的要求，如放线打样和有计划的排产，在这里却遇到了很大阻力。再加上海边气候的不稳定和海岛运输等问题，我们不得不在施工过程中随机应变，根据施工进展调整设计。

When the construction was in its early stage, as designers, we naturally hoped that the project could be presented in an exquisite manner, because its customers were tourists from big cities. However, during the construction process, we found that it was basically impossible to accurately control the project, even with the full-cycle following service of site designers. Because this project was also a self-built house renovation in the village, the workers were mostly from local. Like other rural construction projects, the standard required to lay out lines, make proofs, and schedule production in a planned manner, which could be easily achieved in the city, were encountered great resistance here. Coupled with the unstable climate at the seaside and problems such as island transportation, we had to follow up on the mistakes of construction and adjust the design with progress.

曾经一度要崩溃的我们有一天突然发现，项目最终呈现的状态，那种被海风雨水冲刷后的斑驳和不整齐的对线关系，其实与场地周边的环境极为融洽。而这点同我们最初追求体现海岛慵懒生活状态的气质不谋而合。我们现在认为，过于精致的项目在这个地方反而会有些突兀。或许这种既有脱离感，又被环境接纳的状态，造就了现在这个项目的特殊气质。

We were about to collapse, but one day we suddenly found that the final state of the project, the mottled and uneven lines washed by the sea wind and rain, was actually in harmony with the surrounding environment. This coincidence happenly match the quality of the cozy island life that we originally pursued. Probably, an overly refined project would be a bit abrupt in this place. Perhaps this state of having a sense of isolation and also being accepted by the environment has created the special temperament of this project.